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First just a little background. I know the pain you are thinking, I need living experience so I have to go live life. Well, I’m 19, male, were living in the same property for that long, and have never done anything at all worth while. At the proper angle, reflected mild makes the details faintly seen. That comes close to my sense of “pure painting”: an summary picture that commanded a discipline minimal one will notice.Recent pictures such as “Abstract 132 (Cadmium Reddish Deep)” (07) and “Chromachord 129” (2007) go to the opposite extreme: the confectionary, cloying surfeit of color and facture, tempered by a po experienced consistency of setup.The monochromes done in this fashion flirt with paradox, while the wet straight into wet painting involving “Chromachord 129” produced pleasing tiny skirmishes of hue which wink out the paradox in the middle of abstract painting: The hand can not sense color, whilst the eye cannot avoid it.Trachtenberg at Major: Bay Area artist carries a show of what we might call “impure painting” at .Feel and gesture possess almost no place in your ex work, and she restrictions color to planet tones, occasionally mixing up her pigments with flecks of mica.Trachtenberg seems to want to link the inscrutable quality of your ex painting process together with the phenomena her canvases evoke: your scatter of bushes on desert part rails see “History V” (2007) animal trails or the expansion of mold on paper or perhaps flooded walls.Consequently, her work increases force to the level that it looks uncomposed, the effect more of events compared to of acts.”Mica Variations” (2007) shows stone island soft shell how substantially Trachtenberg’s work can collapse into decoration while she lets that. The painting, for the detriment, conjures feelings of fin p siecle Vienna.Trachtenberg’s work cannot be liked in anything just like the way Hayward’s can.

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